Greta Gerwig’s directorial debut shows how she truly understands the innocence of growing up. This is the type of coming of age film that I love because these types of films are always so relatable. Saoirse Ronan and Laurie Metcalf’s chemistry in this movie is near perfect and all the supporting roles were all acted at the same caliber. This mother-daughter relationship shows how love doesn’t need to be displayed to be present. I have always praised Saoirse’s acting but this film is just proof of how she is one of the best actress’ right now. I was also pleasantly surprised at how great Timonthee Chalamet was in this movie, and paired with Lucas Hedges they were fantastic supporting characters. The purpose of their characters were to help Lady Bird learn and grow and they did that perfectly. Beanie Feldstein was also very good and her character did a great job of keeping Lady Bird grounded throughout the movie. Although there were a few cliche moments in this film, they can be forgiven because of the great acting and cinematography present throughout the whole film. The cinematography was not as audacious as some of the recent films that I have seen, but due to the simplicity of it the movie was breathtakingly beautiful. By stating multiple times that she hates Sacramento Lady Bird shows that she has a love-hate relationship with the town, and when she is in New York City she finally realizes that she does in fact love her hometown. It depicts perfectly how people dislike what is known, and idealize the unknown. Lady Bird constantly expresses her individuality and awareness throughout the film and as a result it leads to her idealizing New York and becoming an adult. This is of typical teenage manner and it also leads to impulses which sometimes hurt other people, but it was necessary for Lady Bird to grow and find herself and she knew that the people she hurt would be okay.